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Scott Shephard Photography

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A Photo A Day

"A Photo A Day" is a not-quite-daily presentation of a photo and commentary by Scott Shephard

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"A Photo A Day" is a not-quite-daily presentation of a photo and commentary by Scott Shephard

Blog
26.09.01 Shortness of Breath & Mild Panic
26.09.01 Shortness of Breath & Mild Panic
about a week ago

It is amazing thing to attempt to swim with these playful sea-lion pups.

26.08.31 Deer Crossing
26.08.31 Deer Crossing
about a week ago

This morning I’m alone with my thoughts but I’m in a pretty crowded room.

26.04.14 A Bridge to Nowhere
26.04.14 A Bridge to Nowhere
about 5 months ago

By June (or maybe earlier?) maybe we’ll have a bridge to Somewhere?

26.02.08 The Green Man
26.02.08 The Green Man
about 7 months ago

BZ stands out in almost every way.

26.01.26 Only for a Moment and the Moment's Gone (Part 3)
26.01.26 Only for a Moment and the Moment's Gone (Part 3)
about 7 months ago

A photo isn’t always about some lost moment . . .

26.01.25 Only for a Moment and the Moment's Gone (Part 2)
26.01.25 Only for a Moment and the Moment's Gone (Part 2)
about 7 months ago

I have to wonder if the person who mowed this lawn used GPS to get the lines so perfectly straight and perpendicular?

26.01.24 Only for a Moment and the Moment's Gone
26.01.24 Only for a Moment and the Moment's Gone
about 7 months ago

This was the only good shot I got of this group. It all fell apart shortly afterwards.

25.12.25 Hope
25.12.25 Hope
about 8 months ago

Considering yet another sunrise as a symbol of something much more than that.


12-19-14 Rush Hour

December 19, 2014 in Blog, Architecture, people, Photography

By Scott Shephard

I am revisiting a scene I photographed in November. And, you may recall, I've already posted one of the photos from the series. But I couldn't resist posting another.

Why? Well, today I'm caught up both in the technical aspects of this photo, which was taken on November 24 at 8 am in Grand Central Terminal in New York City, and the deeper symbolic meaning of this shot.

Technical? A long exposure without a tripod meant that I had to brace my camera on a railing. I took several photos with different shutter speeds before I got the right look of the moving people. A longer exposure made the moving people almost disappear. I then created a black and white version because it seems a little more surreal that way.

Symbolic? I should let you fill in the blanks here but I will offer one interpretation: In American culture, movement is championed as a good thing. Inertia and stasis are negatives. I.e "If you don't keep moving, you get left behind."

But the only people in this photo who are close to being sharply focused are those who are standing still. I think we should stop and stand more often. Don't you think we would see and feel more if we did?

Canon 5DIII 0.7s f/8.0 ISO500 16mm

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Tags: b&w, Grand Central Terminal, rush hour, shutter-speed
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email: scott@scottshephardphotography.com