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Scott Shephard Photography

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A Photo A Day

"A Photo A Day" is a not-quite-daily presentation of a photo and commentary by Scott Shephard

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"A Photo A Day" is a not-quite-daily presentation of a photo and commentary by Scott Shephard

Blog
26.10.03 Teamwork
26.10.03 Teamwork
about 2 weeks ago

I don’t think you could pay me enough to do this work. I’m glad someone likes it . . . .

26.10.02 Concrete & Sequential?
26.10.02 Concrete & Sequential?
about 3 weeks ago

Can something like this lawn be considered a work of art?

26.10.01 Abstract & Random?
26.10.01 Abstract & Random?
about 3 weeks ago

This is a “drone’s eye view” of . . . what?

26.09.30 Alien Landscape
26.09.30 Alien Landscape
about 3 weeks ago

There is certainly a paradox here given the vast amount of water that laps shores that are considered semi-arid desert.

26.09.29 What Are They Hiding?
26.09.29 What Are They Hiding?
about 3 weeks ago

Here’s a look at the Watertown, SD, 14th Ave. water tower.

26.09.24 No Children Were Harmed in the Making of This Photo
26.09.24 No Children Were Harmed in the Making of This Photo
about 4 weeks ago

Ibby enjoys the traffic-free road at Little Bend Recreation Area (Lake Oahe, South Dakota)

26.09.23 I'll Be Dammed!
26.09.23 I'll Be Dammed!
about 4 weeks ago

Forgive me for my dam obsession.

26.09.22 First Light - Makoshika State Park (Montana)
26.09.22 First Light - Makoshika State Park (Montana)
about a month ago

The “Golden Hour” strikes again!


12-19-14 Rush Hour

December 19, 2014 in Blog, Architecture, people, Photography

By Scott Shephard

I am revisiting a scene I photographed in November. And, you may recall, I've already posted one of the photos from the series. But I couldn't resist posting another.

Why? Well, today I'm caught up both in the technical aspects of this photo, which was taken on November 24 at 8 am in Grand Central Terminal in New York City, and the deeper symbolic meaning of this shot.

Technical? A long exposure without a tripod meant that I had to brace my camera on a railing. I took several photos with different shutter speeds before I got the right look of the moving people. A longer exposure made the moving people almost disappear. I then created a black and white version because it seems a little more surreal that way.

Symbolic? I should let you fill in the blanks here but I will offer one interpretation: In American culture, movement is championed as a good thing. Inertia and stasis are negatives. I.e "If you don't keep moving, you get left behind."

But the only people in this photo who are close to being sharply focused are those who are standing still. I think we should stop and stand more often. Don't you think we would see and feel more if we did?

Canon 5DIII 0.7s f/8.0 ISO500 16mm

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Tags: b&w, Grand Central Terminal, rush hour, shutter-speed
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email: scott@scottshephardphotography.com