08-21-13 Harvest, 2013

The Arrow Education Foundation of Watertown, South Dakota, works hard to support public education in Watertown. They depend on donations from people like you (especially if you live in Watertown or have benefited from Watertown Public Schools.)

Each year they host a charity fundraiser called "Harvest." It is a casual, but gala, fall affair. Invitations were just send out and I'm pleased to say that a photo I donated to the cause is the background art for the invitations. This backlit sunflower was featured in this blog before (click).

Have you made your reservations for Harvest, 2013? Have you donated the Arrow Education Foundation? The world will be a better place if you do.

08-20-13 Prairie Relic

When Deb and I were driving back to Watertown on the day we did Lacey and Matt's engagement session, I remember driving by this tree and saying, "That's an amazing tree." And so, before I ended my session north of town a few days ago (that resulted in the two previous posts) I stopped by this tree and took several photos. I ended up liking this one, largely because of the way the stark monotone of the skeletal tree contrasts with the strong colors of the earth and sky.

Post Script

There is a bit of a back story to this photo. I took this photo on the morning of August 11. Three days later, I was packing my camera gear and discovered that my beloved Canon 24-105 4.0L lens was missing. I searched the house. Twice. No lens. I opened Aperture on my computer to find the last photo I had taken with the lens. It was of this tree. I concluded that I had left the lens exactly where I had taken it off - sitting on top of a fence post. (I used my 70-200 telephoto lens so I could try to blur the background.)

I drove north of town feeling pretty confident that I would find the lens. After all, this spot is fairly remote and I didn't think the country road would have had much traffic. I also imagined that the lens would blend in, looking like part of the post.

And from an eighth of a mile away, I could see the lens. But it didn't look like part of the fencing - it looked like a lens. Fortunately, it hadn't rained and there had been little dew over the three days that it sat on the post. And, aside from a fine layer of dust on the filter (no, I hadn't put on the lens cap), the lens was pretty much as I had left it. Lucky me!

08-19-13 Serenity

Those who follow this blog know that Lonesome Lake is one of my favorite places. Even if I didn't have a camera and tripod, I would enjoy this place, especially on a morning like the one this photo taken on. It was cool and windless, which on an August day is South Dakota, is somewhat rare. And there was a kind of silence here that it hard to describe. But I will say that I could hear and feel the silence. And when I look at this photo, I still do. I wish you had been there with me.

Canon 5DIII 1/125s f/13.0 ISO500 200mm

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08-18-13 Morning Glory

The title of this post may suggest that it is another flower photo. But, instead, it is another sunrise photo. This photo is the result of serendipity, I suppose, in that I just happened to be in the right place at the right moment. But serendipity doesn't suggest that it was an accident. When I left home just before sunset on this morning, I drove north hoping to find something worthy to photograph. And this is the first photo I took. I'll post others in the next few days.

It occurs to me that my photographic process generally begins with a "hunt." In this case, I was slowly driving the back roads near Lonesome Lake looking for the perfect picture. Initially, I drove over the little bridge that this photo was taken from but I backed up thinking that the still water in the foreground would do a good job of reflecting the beautiful morning sky. I guess you would say that this photo is a good example of chance favoring the prepared mind. Sometimes we are lucky to get the photos we get but this "luck" depends on our ability to see and then on our technical ability to capture what we see.

Canon 5DIII 1/80s f/10.0 ISO250 24mm

08-16-13 The Cathedral Spires (HDR)

I'll have to admit that I was trying to channel Ansel Adams when I made* this photo. Of course, Ansel used a view camera, filters and elaborate dark room magic to make his great black and white landscape photos. In the digital realm, all of those things are done using software.

I had taken my Black Hills Photo Adventure participants to the Needles Highway in the Black Hills and when we arrived at this vantage point, low clouds were skimming over the Spires, though you can't see it is this photo. It was the perfect moment to be at this place and I'm guessing that even Adams would have found it worthy of a photo or two.

Incidentally, what made Ansel Adams so good was that he didn't see the landscape that he photographed as geologic architecture. Instead, he worked hard to show the landscape as an environment. I try to do this in this photo, but I would say I fall a little short, though there is plenty of texture in this photo. And texture is a hallmark of Adam's work.

*Adams said, "You don't take a good photo. You make one."

08-15-13 The Pensive Nicole

This portrait of Nicole was taken in the Black Hills at my July "Black Hills Photo Adventure." I took quite a few photos of her and she was a great subject. I teach that the eyes are one of the most important parts of a portrait and yet I have her looking away from the camera. Why? Well, we were working on a pose that showed her relaxed and seemingly unaware of the camera's presence. In the next frame, Nicole is looking at me but I ended up liking this one best.

Is this the "real" Nicole? I can't say, though for the three days she was part of the Workshop, she impressed me as a fairly quiet girl and I think this photo captures that.

For those interested in technical things, this photo is lit with natural light and with a small soft box being held by Nicole's aunt, Patricia. I converted to black and white and then did something I don't think I've done with a portrait - I added grain so that it looks like it was taken with film. Imagine that!

Canon 5DIII 1/640s f/3.2 ISO400 120mm

08-14-13 The Stargazers Are Back!

Even though I've posted stargazer lilies here and some would say, "If you've seen one stargazer, you've seen them all," I feel obliged to post photos of these beautiful flowers again and again.

And, with this photo, I was trying to figure out a way to "make it new," in the words of the poet Ezra Pound. So how did I try to do this? For one, I was using flash. Yes, flash! Photography is all about good light and I am starting to use more fill light when nature doesn't quite get the job done. The secret to good use of artificial light is to use somewhat surreptitiously.

And the other thing I tried was to play with depth of field and a composition in a way that allows the viewer to see that this lily isn't alone but he/she is the one you are supposed to look at. In case you didn't know it, photographers use things like leading lines, bright and dark areas and depth of field to manipulate those who look at their photos. Yes, I am manipulating you. And I like it!

Is it a good photo? Technically, I think it's good and I do think it is pleasing to the eye. Is it unique in the realm of stargazer lily photographs? I doubt it. But here it is anyway. And in another year, I'll probably be out in Deb's garden with my camera, working to get something worth looking at again.

Canon 5DIII 1/100s f/2.8 ISO100 100mm

08-01-13 Photographers At Work

In keeping with my "Working Photographer" theme from yesterday I post the second in a series. This time, the photo is of more mature subjects then Glenyce J. The subjects: Patricia, of Monterey, CA and Nicole of Houston, TX. The setting: Lakota Lake, the Black Hills, South Dakota.

And the event was my July Black Hills Photo Adventure, which drew participants from all over the US. (Well I'm exaggerating. The states represented were TX, CA and SD, which is almost the whole United States.) Anyway, we had a perfect morning to visit one of my favorite early morning photo locations.

It looks like Nicole and Patricia are having a good time, doesn't it? And they are smiling in spite of the fact that I made them get up well before 5am to enjoy the morning "golden hour."

Canon 5DIII 1/60s f/5.6 ISO400 200mm

07-30-13 Photographer At Work

A concern I have about retirement is that as I transition from my "normal" public self to my retired life, some people will start to think about me in the past tense. An even bigger fear is that I might show up somewhere and someone without proper social filters might say, "I thought you were dead!"

Well, I'm alive, though this blog has been on hiatus. So today, like the mythical Phoenix, it rises from the ashes. At least for a while.

And is it any surprise that I return with a photo of our amazing grand daughter, Glenyce? And there are more where this one came from. Do you have a few minutes? There are only 600 or so . . . .

07-18-13 Prickly Pear

Anyone driving along the forest service road I used to get to this photo location would have wondered why a man was lying prone near an old, dead tree at 5:45 am this morning. But nobody else was likely to do that. In fact I could lie prone for the whole day and not be seen.

My mission this morning was to photograph rocks and trees in an area I hadn't photographed before. But in my quest for the perfect shot, I discovered a small colony of prickly pear cactus growing by a weathered tree. And so my mission changed.

Fortunately, I had my 100mm macro with me and I was able to get up close and personal with a plant you wouldn't think would thrive in the Black Hills National Forest. What I liked about the subjects in this photo were the rich, monotone textures of the weathered wood and the spiny, crisp edges and lines of the cactus. I also liked the vibrant green of the cactus juxtaposed against the dull, gray tree branch.

Canon 5DIII 1/6s f/18.0 ISO250 100mm

07-17-13 Aspen Stand

This blog has be AWOL much of the summer but I guess I have been, too. As of the 17th of July I think I have been home for a little more than 10 days since the third week of May. I have also had little access to wifi. So that's my excuse.

But given that I am only two days away from the start of the July Black Hills Photo Adventure, I'm thinking I need to post something - especially of the Black Hills

So here's my selection: a grove of aspen trees that has appeared before in this blog. But, as I've said many times, I like to return to places I've photographed before largely because they are magnets to my eye and camera but also because I feel I am a little wiser: I see better, I understand my equipment better and I am better at processing images in my digital dark room.

Ansel Adams never talked about "taking" a photo. He said that he "made photos." I like that and now that I know the art and craft of photography better, I would say the same thing: true photographers make pictures.

07-08-13 Into the Light

My brother in law Scott took my son Brian and me to the Ingersoll Mine, not too far from Keystone, SD. I'm not exactly comfortable prowling around in mine shafts and photographically is not a great location - there's no light to speak of except for beam of a flash light.

But here Scott and Brian precede me out of the mine and I happened to have my camera ready.