12-02-13 Caribbean Shores

So today's photo is a huge leap from what I've been posting the last couple days. Is there some plan that I have so that I can keep my viewers off balance? No. In fact, the number of views I get when I post kids goes way up. Today's photo won't get a third of the hits yesterday's got. But that's OK with me. . . .

Geographic Note:

The island upon which we have landed with our dinghy (that's our larger vessel in the background) is called Sandy Cay, which is just a short distance from Jost Van Dyke. (Click here to see it on a map.)

Canon 5DIII 1/500s f/10.0 ISO200 16mm

Caribbean Shores by Scott Shephard is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

12-01-13 Then & Now - 6 Months Old

Yesterday's photographic mission was to copy a photo that had been taken 59 years ago. The subject in the photo is Debra DeGeest (AKA Deb Shephard). The new subject for the copy was Glenny J. (AKA Glenyce Jane Shephard). The dress in both photos is the same dress - worn very little for the photo so long ago and worn only for a few minutes for the recent shoot. Both subjects are 6 months old.

Careful observers will note that there are striking similarities between the two children. Such is the nature of genetics. The single most striking thing to me is that they both seem healthy and happy. What more could you want?

Canon 5DIII 1/125s f/5.6 ISO200 58mm

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In case you'd like to see the out takes, here's another contact sheet. . .

And a short video. . .

11-30-13 Glenyce Jane At Six Months

A few years ago one of my photography students told the front office that there were several reasons I should be fired. As hard as it is to realize one isn't all things to all people, the one reason that made me laugh went something like this: "He should be fired because he doesn't like children and therefore we won't learn how to photograph children!"

Really! The truth is that I love children of all ages, even if they can be intimidating and even aggravating at times. And I will admit that I have never aspired to be a child photographer. Getting a good portrait of a child is a daunting task and I admire anyone who does it well.

This photo of our grand daughter Glenyce Jane Shephard is probably more snap shot than portrait, though there was a little technical artistry that went in to this, including the white pillow my wife was holding off to my right to bounce some light back on Glenny's face. The problem with the pillow, though, was that Glenyce Jane was both fascinated and amused by it. I was aiming for a shot where she was looking at me, but I was hidden by the camera. But I did get a keeper. . .

Canon 5DIII 1/100s f/4.0 ISO800 102mm

For those who wonder what this shoot was like, check out this contact sheet:

11-27-13 Curvature

So I'm indulging in my architectural detail fetish today, this time with a shot of the Utah state capitol dome. Tomorrow maybe I'll have a turkey photo given that it is Thanksgiving here in the USA.

Technical note: I don't think many of my students see my blog and that's probably good since I preach the use of tripods when slow shutter speeds are required. In the case of this photo, I had no tripod and I got by with a pretty slow shutter speed.

Canon 5DIII 1/15s f/6.3 ISO1250 24mm

11-26-13 Another Time and Another Place

I suppose I should be posting something slightly more seasonal, shouldn't I? But perhaps these purple iris are blooming somewhere in Australia, where summer is about to begin. So I would suggest they are seasonal.

Frankly, I wasn't looking for a flower photo for this blog today; I was just looking for a colorful photo I could work on with a new version of Perfect Photo Suite 8, which just hit the market today. I like the software and, of course, I like the flowers.

Canon 5DIII 1/320s f/2.8 ISO250 100mm

11-25-13 A Nicely Painted Ceiling

Given that I talked a bit about the Ceiling of the Sistine Chapel yesterday, I thought I'd post my one and only photo of the ceiling, "accidentally" taken in 2004. Photography is not allowed, but in the crowded and somewhat chaotic chapel, my camera somehow went off. And this is what I ended up with.

See God? See Adam? See the brain? See the museum guard look at me with disdain?

Canon 5D 1/13s f/4.0 ISO1600 24mm

11-24-13 The Mysterious Moon Jellyfish

Here's another capture from the Doorly Zoo and Aquarium in Omaha, Nebraska. As I was working on getting this photo ready for this post, it occurred to me that the photos you see here fall into one of about three categories: photos that demonstrate a process, photos that attempt to show a unique or new view of things, and photos of things, in which process, art and uniqueness are not primary considerations.

This Moon Jellyfish photo falls into the third category. Do a Google search and you will discover over a million hits. And many of the photos are much better than this one. So why post? Partly, to borrow a phrase from mountaineer George Mallory, "because it's there."

Also, because I often see and think analogously, this photo reminded me very much of the alleged "brain" in Michelangelo's famous centerpiece of the ceiling of the Sistine Chapel. Judge for yourselves:

In case you are wondering, the "brain" is the form in which God (the one with clothes) seems to be floating. Had Michelangelo seen a human brain before he painted this? No doubt. Did he say the strange form in the painting was inspired by brains he had seen? No. What does it all mean?

What it means is that I accidentally took a photo that is vaguely reminiscent of Michelangelo. So at least for today, I am in good company.

Canon 5DIII 1/50s f/4.0 ISO2000 67mm

Creation of Adam photo courtesy of Wikimedia

11-23-13 Lines and Texture - St. Cecilia Cathedral, Omaha

It's no secret that I have a penchant for architectural details. On the morning I visited St. Cecelia Cathedral in Omaha, I was well aware of the fact that have hundreds of church exterior and interior photos. And so, even though I had my camera with me as I walked in and around this beautiful cathedral, I had decided that I wasn't going to take any photographs.

I walked around the building three times, enjoying and appreciating all of the work and artistry that went in to constructing St. Cecelia. It was on the third go-around that I took my camera out and started to frame things that were especially compelling.

And so here's a second photo from my visit to the cathedral. What struck me about this scene were both the geometry of the architecture and the random, dappled shadows cast by a nearby tree. For those interested in technical details, I used red filter in the black and white processing that turned a beautiful blue morning sky into a very dark presence in this photo. I didn't want your eyes drawn to anything but the architecture.

Canon 5DIII 1/250s f/8.0 ISO100 73mm

11-22-13 Reprise: The Most Famous Warehouse

Given all the retrospectives of the Kennedy assassination on the 50th anniversary, I thought it would be appropriate to post a photo I took while visiting Dallas a few years ago. This is the Texas Book Repository from which Oswald shot Kennedy. 50 years ago I was only nine years old but, like many of my generation, there are many things that I remember from those days in November. . . .

11-21-13 Details - St. Cecilia Cathedral, Omaha

11-20-13 Fall Colors At the Lauritzen Gardens, Omaha

The leaves have turned and fallen in Watertown, SD, but I discovered that if you go south about 300 hundred miles, you will find that you can still find fall colors. These leaves were photographed at the Lauritzen Gardens in Omaha and though the flowers beds were tilled and ready for winter, there was still plenty to enjoy.

The way leaves fall is random, of course, but if I had arranged these leaves, I would have put them just like this.

Canon 5DIII 1/200s f/4.5 ISO200 100mm

11-19-13 Through the Eyes of A Child

We attended a party in honor of the 2nd birthday of my grand niece Evie DeGeest a few days ago. I wasn't going to take photos because most of these events are very well photographed. But I couldn't resist. Alicia, Evie's mom, is a designer by bent and trade and DeGeest birthday parties are always brilliantly planned and certainly photogenic.

Maybe it's because of the birth of our grand daughter, Glenyce Jane, but these days I seem to look at the children in our family differently. "Wonder" and "awe" are two words that come to mind to describe how I feel when I study the face and eyes of a child like Evie.

I wonder about the gathering of all the forces that shape the person that Evie is becoming. And I wonder what she is thinking and what the world looks like through her eyes. And isn't it awesome that what begins as a microscopic fusion of DNA ends up becoming a wonderfully complex bundle of cells, thoughts and inclinations like beautiful Evie?

Canon 5DIII 1/80s f/2.8 ISO500 168mm

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