01-01-13 Waiting for the Sun

Those of my generation know that the title for this post is also the title for the title track of the Doors third album "Waiting for the Sun." They sing

At first flash of Eden, we race down to the sea.Standing there on Freedom's Shore.Waiting for the Sun, etc. etc. etc.

And, this photo does little to reflect those lyrics. But I did take this photo early in the morning one day, well before the crowds arrived on the beach and a little before the sun came out from behind the bank of clouds that typically hovers over the eastern horizon off the shores of the Yucatan Peninsula.

12-24-12 He Runs; I Don't (II)

I suppose I shouldn't bask in the glory of a relatively sedentary existence here on the sun-drenched beaches of the Yucatan Peninsula, should I? But I've done it before.Merry Christmas!

12-17-12 Winterscape

I went wading through snow that was calf deep to get this shot. Twice. Was it worth it? I'd say so, but only because the drive north of town in mysterious winter fog, the trek through snow and the framing of the frost lined trees was a small adventure and it got me out of the house on a gray winter day.Whether I was successful in my adventure or not wasn't the most important thing. Sometimes it's the concept and the process that matter most; it's the journey, not the destination. Or, in the words of Harry Chapin in his song Greyhound, "It's got to be the going not the getting there that's good."

12-06-12 Kinkankuji

I'll have to admit that I like this photo, which isn't something I'm inclined to say about my work. A photo should speak for itself, I guess.But I like this one because it's green, and South Dakota is anything but green right now. I also like it because I rescued it from the virtual dumpster. Finally, I like it because it helps me see the value of software processes in a photographer's work flow. I don't want to get technical in today's post but I will say that I started with this image (click), and ended up with the "adjusted" version in the blog. They say you can't fool Mother Nature. But she can be enhanced. :-)Kinkankuji is otherwise known as the Golden Pavilion, which is near/in Kyoto, Japan. Here's a satellite view (click) of the location. I wish I could tell you exactly where I was standing when I took this, but I wasn't in to GPS fixes in 2004, when we visited Japan

12-05-12 HDR in B&W (Variations on a Theme)

Yes, I repeat myself. But it isn't because I'm being lazy today. It's because I couldn't decided if I liked the color version of this photo (yesterday's post) or the black and white version. So I offer both.

12-04-12 Magical (HDR)

This is another HDR photo taken on the same outing as "Back To Lonesome Lake." This one was taken 15 minutes before the Lonesome lake photo. At sunset, a minute or can be significant in the look you get. And, as I think you can see, 15 minutes can be worlds apart as far and the light and cloud cover are concerned.

12-02-12 Back To Lonesome Lake (HDR)

It has been more than a year since I have photographed near Lonesome Lake. That session resulted in the photo I donated to the "fireplace room" at Lake Area Technical Institute in Watertown, South Dakota.On this occasion, I told Deb around 4:15 yesterday afternoon that I was going to go looking for a photo opportunity. I wanted to see if I could get something in HDR at sunset that would look good. Then, I invited her along for the ride and she said "yes." What a treat!I started heading north of our town, all the while watching the sun and clouds off to the southwest. My vision for the photo involved bare trees and a beautiful sky just before or just after sunset. I also didn't want any clear signs of civilization. If you go 20 miles north and a few miles west of Watertown, that isn't hard to do.After one other stop, I ended up at Lonesome Lake. By that time, the sun had set, and the clouds weren't all that interesting. But I thought that I could at least show Deb the location. It was getting dark but I decided to try to take a series of photos, knowing that the camera sees light in ways that I don't. I also knew that if I put my camera on a tripod and bracketed the exposures properly, I had several software tools that might produce something worth sharing.And here's the result. There is a surprising amount of texture in this photo, especially given that this (click here) is much closer to what I was seeing when I took the series. Pretty interesting, isn't it?

11-21-12 Primavera (Near Fort Randall)

When I say "primavera," you might naturally think of pasta. Or, you might think of the famous painting by Boticelli. But primavera also means "spring" in many Romance languages, including Italian. And, because this photo shows the first blush of green on the bluffs above the Missouri River, I've given it a bit of a romantic title. It's not a photo of apetizing food and it doesn't feature women in diaphanous clothing. But does picture a serene and beautiful place in my home state.Incidentally, it occurs to me that as winter arrives in our state, I start to looking for photos that are dominated by green. What does that say about me?Did you know you can subscribe to my blog by going to the bottom right hand part of this page and simply typing your email address in? How convenient! Fifteen people are already doing this. How about being the 16th?

10-08-12 Bad Land? (HDR)

This one turned up after heavy duty "dumpster diving." I think I had abandoned it because I thought it was boring. Thus, I didn't practice what I preach in class: don't try to save bad photos with cool (but over the top) filters. I tried to save this one with an HDR filter. :-(

09-24-12 Winter Eclipse

This is was shot in minimal light a few years ago. Having heard that there was going to be a total lunar eclipse on this night, Deb and I went driving to find a good locale to see and photograph the moon. I finally found this four trees posing nicely in front the waning moon.

09-18-12 Ready and Waiting

There is an adage in photography that says that you should first find a good photo opportunity and then turn and look behind you because the best photo is often something you don't see at first.This picture is a good example in that what caused me to stop my truck along the gravel road in Iowa was the photo I took yesterday. After getting what I wanted there, I turned and looked across the road. And this is what I saw (click). It wasn't all that special, was it? But inspired by one of my student's great soybean photos (check out Lindsey Fowler's photo), I decided to move in. And this photo is the result. And it stands as a good example of the tremendous power photographers have: we get people to look at things they would probably never taken the time to see.By the way, I like Lindsey's photo better. :-)Canon 5DIII 1/320s f/4.0 ISO320 182mm

09-17-12 Golden (HDR)

I was cruising the backroads of Iowa with my good friend BZ looking for one of my favorite subjects - an Iowa cornfield. The cornfield wasn't hard to find, of course. What is a little more challenging is finding other things that make the corn a little less run-of-the-millIn the case of this photo, the sunrise helped and so did the built-in HDR processor my Canon 5DIII has. I shouldn't point this out, but I think there is a compositional flaw in this photo in that I think it would be better if A) the sun lined up with the rows of corn or B) I had given a little more room to the right of the sun when I framed the shot. But, as they say, "It is what it is." And, to paraphrase the Rolling Stones, "It's only a corn field but I like it."Canon 5DIII 1/25s f/18.0 ISO320 200mm