We spent a few hours in a Japanese pre-school when we visited my son Brian in Japan a few years ago. I found this when I was looking for something that I might be able to post in the "Look At Me" series. I love this photo because it just "happened." There was no staging or coaching involved. I stopped and she looked up at me with a curiosity I saw everywhere in the children in this school. Of course her beautiful big, dark eyes help make this photo.
people
12-07-09 Look At Me: Friends
Getting a decent portrait of one person is hard enough. Photographing two people increases the challenge. Not only do you have to hope that they both look good/happy/whatever when you snap the picture but there are technical considerations. The two biggest are lighting and focus. In the studio I generally use two light sources to light the faces, though you can tell from the highlights in the eyes that the main light is to my right. Since eyes need to be sharply in focus, I coach the subjects to try to have their eyes on the same plane relative to the camera. I also use a high f-stop (8 or 11), which helps the depth of field.
Canon 1DII 1/400s f/8.0 ISO200 45mm
12-05-09 Look At Me: Nice Bones!
I have helped take photographs for the Watertown High School yearbook for many years. In last year's edition I did a series of photos for the beginning of each section in the book. This one was for the "Academics" section. Nice skeleton. I'm told that it's not "real" but made from plastic.
12-04-09 Look At Me: Staying Dry!
Before I begin a portrait session, I will often ask if the subject has any ideas about where and how they want to be photographed. Often they tell me that they'll trust me to figure something out. But sometimes they come up with impractical ideas: "I've always thought it would be cool to be photographed on a camel in front of the Great Pyramid." Or "How about a portrait of me water-skiing in my cap and gown?" Right.
This last one was Thad's idea and while I was skeptical, he executed the feat brilliantly. My job was to try to get one good photo before he fell. I took about 75 and he liked this one. And he never fell.
12-03-09 Look At Me: Rembrandt Lighting
This is a good example of what portrait photographers call Rembrandt lighting. In simple terms, the main light comes from from above eye level and from the side. This results in one side of the face being fairly bright and a splash of light highlighting the cheek bone. This lighting thins and flatters the face, although Jessica's classic good looks needed little flattery.
Incidentally, this photo shows the result of a fairly strong soft filter applied in Photoshop. So, contrary to what I said a couple days ago, I do blur reality once in a while. I just thought the effect made this portrait a little more glamorous.
Look At Me: Pastels
By Scott Shephard
This photo is largely "un-photoshoped." When I process a photo, I try not to take away the actual person, which is a temptation given all the things you can do with software.
This is one of my favorite portraits. I like the relaxed and natural look of my subject, Noel, but I also like the colors. The soft pink of the stone building, the pale blue of the t-shirt, and Noel's beautiful red hair go very well together.
11-30-09 Look At Me: Affection
My good friend, Jack, has convinced me that I should post some of my portraits in this blog. I have resisted, in part because I didn't want this blog to seem like an advertisement for the portrait work I do from time to time. That's never been my intent. Sharing a few photos and a few thoughts is my intent. This week's series will be called "Look At Me."
This is one of my favorite couples shots - and it doesn't hurt to have good subjects like Alicia and Derek. This wasn't a planned photo. They were both supposed to be looking at me. But a few moments before I asked, "Ready?", Alicia looked up at Derek and I snapped the photo.
10-25-09 Remembering Bernice
Of course, to my brother Mike, my sister Barb and me, she was "Mom." I'm sad to say that Mom passed away in the early hours of the morning today (October 25, 2009). Mom was 91 and we had spent the better part of the afternoon yesterday visiting her at the nursing home she lived in. Her passing was quiet, peaceful and appropriate. But I feel pain nonetheless, for I had not expected death to come so quickly.
There's more that I could say but I don't have many words right now. I'll let this photo of a my beautiful mother speak for itself.
10-14-09 A Few Members of the Rausch Family
This is a candid shot of a family photo that Brian and Katie's wedding photographers were organizing. That's why no one is looking at me. I love the light and the soft colors in this photo. The light is late afternoon ambient light sifting in through the east windows on the 22nd floor of the Crowne Plaza Hotel in St. Paul. The people pictured are a few of the many Rausch's that inhabitant our new world. (Thats Katie and Brian in the middle of the group.)
Canon 5DII 1/50s f/5.0 ISO1600 17mm
10-13-09 Dancing the Night Away
Here's one more from Katie and Brian's wedding - this time from the reception dance. The reception was on the 22nd floor of the Crowne Plaza in St. Paul, MN, and, as you can see, the view was spectacular.
For those interested in technicalities, I was able to get a proper exposure of both the foreground and the background using flash by setting the camera to "aperture priority." On most cameras, that's Av. The camera then sets the shutter speed to expose the whole photo, including the background. Check out the exposure information below and you'll see that the shutter speed is very slow - but the flash freezes the action. Pretty cool. It still takes a steady hand or a tripod to keep the background lights sharp. In this case, I'm standing on a chair using a steady hand and a lens with image stabilization, which is also cool.
Canon 5DII 1/10s f/4.0 ISO800 17mm
10-12-09 A New Constellation
These "stars" were four of the six bride's maids at Katie and Brian's wedding. This photo wasn't my idea and I was skeptical about getting a good shot. The sanctuary was fairly dark and I thought it would be hard to get details in the faces without washing out the beautiful colors in the stained glass and the flowers and dresses. But I was wrong. This photo was very rushed and I wish now that we had found the other bride's maids.
Incidentally, the colors that Katie picked for her wedding were brown and purple. "Brown and purple?" you ask. Just look. It was a great combination. Katie has a good eye and good taste. That comment may seem self serving since she also married our son!
Canon 5DII 1/60s f/2.8 ISO2000 115mm
10-11-09 The First Dance
It is the day after the Big Event and I am tired but happy. We enjoyed every thing about the day, including Brian and Katie's first dance in their life as a married couple.
