10-19-12 Justin

Just to prove that I do take portraits of guys from time to time, here's a picture of Justin P that I took a few years ago at my favorite old farm.

09-01-12 A Quiet Moment

I've been a little wordy in the photo blog lately. So I'll spare you today. This is Elise B in a relaxed moment in my studio a few years ago.Canon 1DII (?) 1/250s f/8.0 ISO100 58mmPlease take the "A Photo A Day" survey!

08-16-12 Allison

So I was looking for a connector for my iPad yesterday, which I hadn't seen since May. And though I didn't find the connector, I did find a collection of DVDs of senior portraits I had taken in the summer of 2004. And when I saw "Allison R" on one of the labels, I immediately remembered this particular outfit and pose.Allison was a beautiful subject who came to the session with many props and ideas. I am always worried when a portrait subject says he or she wants to bring a prop. I usually ask two questions: 1)Is it living? 2)Is it bigger than your face?The first question is because living things (boy friends, snakes, cats, dogs, parrots, etc) can be challenging, though I'll takes snakes over the other animals listed.The second question is because, if you ask me (who is admittedly old fashioned), I think a portrait is about the face.In Allison's case, she brought her cello (bigger than her face but OK by me) and a huge, hot pink prom dress. The prom dress begged for a high-key treatment and that's what we ended up doing. Allison liked this photo and so did I, largely because she is very comfortable in the shot and she has a wonderful, relaxed smile. Allison ordered this photo in color and when I did some basic re-editing today, I decided to convert it to black and white, maybe because I am even more old fashioned than I used to be - I don't want you to be distracted by the bright color of her dress.I have been writing a bit about what is "real" in the last few posts and I think that this is the "real" Allison. And that's what portrait photographers should always strive to capture.

05-03-12 Desi

Every once and a while I discover a photo I'd forgotten I had taken. Such is the case with today's portrait of Desi. This photo was taken in 2002, when I knew very little about portraiture and digital photography.What I did know was that the secret to good photography was good light. In this case, there is some ambient light in the old farm house we are in. But I was also using a Canon strobe light and a white shoot-through umbrella to my right. The beauty of this lighting set-up was that if I used aperture priority with my Canon flash, my Canon camera would meter the flash just right. It provided wonderful light that looked like window light. You wouldn't necessarily know that this is an example of flash photography. (I checked the metadata, and, if you look at the catchlight's in Desi's eyes, you can see the umbrella.)Canon 1D 1/160s f/1.8 ISO320 50mm Scott Shephard

Vicky

I am continuing with my theme of "portraits from the past," this time with a photo of Vicky, who graduated from Watertown High School about 8 years ago.

Darcie

I took this portrait the first year I was serious about senior portrait photography. That was almost 10 years ago. The camera was the Canon 1D, which was a groundbreaking digital camera. It cost $5500 and had a whopping 4.4 megapixel sensor!I had a lot to learn about photographing people back in 2002 but I did get a few things right in this photo. First, how could I go wrong with Darcie? I was lucky to have the opportunity to photograph her. While I can take no credit for her good looks, I will take credit for finding the right light and the right moment for this portrait.We were at Terrace Park in Sioux Falls and I knew that the morning light was best for this particular location. That meant we had to leave Watertown pretty early to get to Sioux Falls by 9 am.As for "the moment," I will say that I had no book learning on this but that even from the beginning I had a bit of an intuitive sense of when to press the shutter button. On this particular day, I had already taken over 50 photos of Darcie and so by the time I took this one, both of us were relaxed. And anyone who does this kind of portraiture knows how important that is.(NOTE: This photo was originally posted as a color image but the more I looked at it, the less I liked it. So I have revised my post with a black and white image that does have a little "glamour" applied in Photoshop.)Canon 1D 1/125s f/4.5 ISO250 91mm

11-23-10 Wonderful Freckles

I went looking for a portrait to post today, in part because I don't post many and I thought it would be a good change of pace. As I was looking, this one jumped out at me.There is really nothing fancy about this shot. It is a fairly standard head shot done outdoors in open shade. I know it's outdoors because I can see the sky in the catchlights of Amanda's eyes. The photographer is reflected there, as well, if you look closely enough.What struck me about this photo is that the subject is clearly very relaxed and she has a very real smile - maybe even a Mona Lisa smile. I also like Amanda's freckles. Generally, the eyes are the focal point in a head shot. And then what? In this case the answer is the pattern of freckles playing across her face gives the viewer's eyes something more to do. My experience in taking photos of young people is that they wish they didn't have freckles. But in Amanda's case, I'm glad she did.