07-22-12 Glorious

Sometimes, when I'm out at Lake Oahe in central South Dakota, I don't go sailing. On this particular morning, I woke up well before sunrise and at first light saw that there were some clouds off in the east that looked promising. So I packed up my camera gear and went driving. I ended up on the bluffs above the Little Bend area - an area I have been to many times before.It may seem obvious but a sunrise photo isn't about the sun - that looks pretty much the same every time. It's about the clouds, the terrain and the atmosphere. And in all of these cases, I got what I was looking for.This photo, incidentally, is an HDR photo, which means that it's really two or three photos sandwiched together into one. I experimented with a process that gives this photo a bit of a surreal look. Compositionally, this photo does what a landscape photo should do: there is something in the foreground, the middle ground and in the back ground.I wish you could have been with me when I took this photo. It was an amazing moment in an very special place.Canon 5DIII f/8.0 1/250 ISO400 19mm

07-17-12 Spring Wheat

Some would say that if you've seen one wheat field, you've seen them all. And from a distance that's probably true. But I'm afraid my quest for good wheat photos yesterday didn't satisfy me. So I went out again this morning looking again for the perfect wheat photo opportunity. I was hoping for better light today and I got it. Generally, it was overcast but the sun was working to push its way through occasional soft spots in the morning clouds. And so I got the perfect back lighting from the biggest soft box on earth.I took over 200 photos during the 30 minutes I spent at this particular field. I'll admit that I was practicing a little "spray and pray" photography because a gusty breeze was causing the heavy heads of wheat to move around. And since I was using a very narrow field of focus (low f-stop number), I wanted to be sure I had some focused photos when I got home.Towards the end of my shoot, Bret H., the field's owner, drove up and stopped. I walked over to his truck with my camera and told him that I couldn't resist taking photographs of his amazing crop. He simply smiled. When I showed him a photo I had just taken and said, "You're not a farmer; you're an artist," he smiled some more.If you haven't stopped by a mature wheat field and studied the plant that in some ways was and still is the foundation of western civilization, it's time you did. The whispy "hairs" and the braid-like grains of wheat truly are a work of art.

07-16-12 Amber Waves

When I went driving this morning in search of something to photograph, I figured that the perfect wheat field would likely draw me like a magnet. I am fascinated by bare, black fields that turn to green and then to beautiful yellow-gold. And we can't help but notice the harvest of wheat because the huge red or green machines that work the fields contrast so distinctly with the mature crop.But who has the time or interest to park and take a closer look at the grain? I would guess the farmer would. And so does the photographer, who, as I've said so many times in this blog, has the power to get you, the viewer, to take a closer look. And it is worth the time. . .

07-12-12 On the Road Again

I tell me students to avoid taking photos through windows of moving vehicles. After all, who wants to see bug splats? So why did I keep driving as I snapped this photo with my iPhone? I have not good answer other than I guess I don't always practice what I preach.

06-26-12 Rustic

Every once and a while I go back a year or two in my photo collection to see if there isn't something I've neglected. Given that I take quite a few photos and never throw anything away, "neglect" is a word that is a little too kind for how I treat my old photos.Anyway, here's one that I had considered for submission to a small gallery that decorates the fireplace room in the student center at Lake Area Technical Institute, where I teach photography. I eventually found something I liked better but today I am resurrecting it.As with many of my photos, this one involves strong lines and light, obvious texture and a control of depth of field. A fence post and fencing are mundane subjects in rural South Dakota, but if captured right they can be interesting and evocative.

06-11-12 Cloudscape

I'm off on an adventure for a couple weeks and I'll be off the wifi "grid" for much of that time. Thus, I'm auto-posting things that aren't necessarily new or unseen. Most of the photos you'll see are some of my favorite Instagram photos.

06-07-12 Geometry

I'm off on an adventure for a couple weeks and I'll be off the wifi "grid" for much of that time. Thus, I'm auto-posting things that aren't necessarily new or unseen. Most of the photos you'll see are some of my favorite Instagram photos.

06-04-12 The California Coast

I'm off on an adventure for a couple weeks and I'll be off the wifi "grid" for much of that time. Thus, I'm auto-posting things that aren't necessarily new or unseen. Most of the photos you'll see are some of my favorite Instagram photos.This photo, incidentally, was taken with my iPhone shortly after the plane I was in took off from John Wayne Airport. I had the perfect seat on a perfect southern California day.

06-03-12 Mosaic

This was taken with my iPhone from 40,000 feet. If I have a choice, I always pick a window seat on the side of the plane that is in shadow so I can shoot with the light behind me, so to speak. On this day, it was brilliantly clear as we flew over the Grand Canyon.

Yes, I Am . . .

The whole sentence is: "Yes, I am thinking of summer and sailing on Lake Oahe."

04-11-12 Easter Morning, 2012 - San Juan Island

This photo was taken a few miles west of the city of Friday Harbor, Washington, on San Juan Island. I had found this location the day before but thought that it would photograph better just after sunrise. The chances that I would have a mostly clear morning weren't that great. But, as you can see, nature performed well for me.I used Auto Exposure Bracketing to take three different exposures of the same scene but in the end I used the darkest of the three and a plug-in in Aperture to create this photo, which shows details in the darkest parts and in the brightest. That's what HDR (high dynamic range) does.

Seattle City Scape

Being in the right place at the right time makes a photographer's job easier. Sometimes I manage this by intent and sometimes by luck.In the case of this photo of Seattle, I got lucky. Apparently, it had been cloudy, cool and rainy for most of the week prior to our three-day stay in the area. But during our entire stay, it ranged from partly cloudy to crystal clear. I took this photo later in the afternoon, which resulted in nearly perfect light for the scene. And I couldn't have asked for more interested clouds.And, yes, this photo is manipulated in software. In my intent to work on the contrast in the photo, I found a setting in Nik Color Efex 4 that gave a look to this scene that I liked.