Before I begin a portrait session, I will often ask if the subject has any ideas about where and how they want to be photographed. Often they tell me that they'll trust me to figure something out. But sometimes they come up with impractical ideas: "I've always thought it would be cool to be photographed on a camel in front of the Great Pyramid." Or "How about a portrait of me water-skiing in my cap and gown?" Right.
This last one was Thad's idea and while I was skeptical, he executed the feat brilliantly. My job was to try to get one good photo before he fell. I took about 75 and he liked this one. And he never fell.
This is a good example of what portrait photographers call Rembrandt lighting. In simple terms, the main light comes from from above eye level and from the side. This results in one side of the face being fairly bright and a splash of light highlighting the cheek bone. This lighting thins and flatters the face, although Jessica's classic good looks needed little flattery.
My good friend, Jack, has convinced me that I should post some of my portraits in this blog. I have resisted, in part because I didn't want this blog to seem like an advertisement for the portrait work I do from time to time. That's never been my intent. Sharing a few photos and a few thoughts is my intent. This week's series will be called "Look At Me."
Of course, to my brother Mike, my sister Barb and me, she was "Mom." I'm sad to say that Mom passed away in the early hours of the morning today (October 25, 2009). Mom was 91 and we had spent the better part of the afternoon yesterday visiting her at the nursing home she lived in. Her passing was quiet, peaceful and appropriate. But I feel pain nonetheless, for I had not expected death to come so quickly.
This is a candid shot of a family photo that Brian and Katie's wedding photographers were organizing. That's why no one is looking at me. I love the light and the soft colors in this photo. The light is late afternoon ambient light sifting in through the east windows on the 22nd floor of the Crowne Plaza Hotel in St. Paul. The people pictured are a few of the many Rausch's that inhabitant our new world. (Thats Katie and Brian in the middle of the group.)
Here's one more from Katie and Brian's wedding - this time from the reception dance. The reception was on the 22nd floor of the Crowne Plaza in St. Paul, MN, and, as you can see, the view was spectacular.
These "stars" were four of the six bride's maids at Katie and Brian's wedding. This photo wasn't my idea and I was skeptical about getting a good shot. The sanctuary was fairly dark and I thought it would be hard to get details in the faces without washing out the beautiful colors in the stained glass and the flowers and dresses. But I was wrong. This photo was very rushed and I wish now that we had found the other bride's maids.
It is the day after the Big Event and I am tired but happy. We enjoyed every thing about the day, including Brian and Katie's first dance in their life as a married couple.
I think I've mentioned that I enjoy taking candid photos in art museums. This photo was taken in Tacoma, Washington, at The Museum of Glass. This art lover seems exhausted by the experience of seeing all that glass. He's sitting on a glass, leather and chrome bench.