Breaking Ground

OK, so in a minor way I am breaking ground in this blog because I am A)publishing a painting and B)I am posting someone else's work. Why, you ask?The answer is that I am assigning a "Copy Da Vinci" portrait assignment to my studio photography students and I thought this might also teach you a little about how you might improve your portraits.What Da Vinci did in this painting that helped shape the future of portraiture lies in part in the way the subject is posed. Generally, portraits were full-body and in profile mode before Da Vinci. What Da Vinci did is that he angled Mona Lisa and chose to show us a view of her that focused on her face. Imagine that!Additionally, Mono Lisa is looking right at us and smiling that famous smile. The angle of her shoulders and the gentle position of her hands make Mona Lisa seem relaxed and real. Of course we try to get the same effect in modern portraits.Da Vinci did do one thing that I would tell my photography students not to do and it has to do with the way the hands are posed. These days the general rule that that the back of the hand should never face the camera. What that does is that it presents an element in the photo (due to its size and brightness) that that competes with the face. And a portrait generally is all about the face.Da Vinci gets away with this hand showing because of the neat, nearly triangular shape that defines Mona. And, of course, the face is what clearly dominates this painting.Do you want to take good photos? How about finding some great works of art and copying them. When you start to copy, you start to see techniques and compositional elements that you may not have otherwise seen.

The Man In the Mirror

Playing with my iPhone at the Zubke's house.

Emily

This is a photo that I took a few years ago and used as a retouching demonstration for my Studio Photography class. It takes about 20 minutes per portrait to do the things I think need to be done, though I have Photoshop actions and filters that would do some of the same things in seconds. But while I think automation is generally good, the personal, discretionary touch of the photographer is usually better.A general retouching philosophy of mine is to avoid the temptation to "Photoshop" a photo too much. I told my students that I think that when the retouching is finished, the "real person" should remain. Skin texture, teeth color, beauty marks and scars are part of who we are. This photo of Emily is a fairly low resolution copy, but I think the an 8x10 print of this picture would reveal the "real" Emily.Canon 5dII 1/640s f/3.5 ISO400 135mm Canon 70-200 2.8 Lens

Window Seat (iPhoneography)

When I travel, I am as captivated by looking at the scenery as any other tourist. But if the situation allows it, I also like to take photos of people looking at the scenery. I guess I'm a bit of a voyeur in that sense.In this case, I was on a plane flying over the Grand Canyon on an amazingly clear day. I must have taken 50 photos with my iPhone before I noticed a young girl in the window seat ahead of me who was also captivated by what we were seeing 30,000 feet below us.And so I snapped this photo.

Twentieth Century Classroom

In the early part of the last decade of the twentieth century the overhead projector was pretty high tech for me. Having students present in my AP European History class was something I allowed from time to time. But I generally was the center of the classroom. I call that teachercentrism.I was looking for something else when I found this today. I remember the photo and I remember taking it. I was using Tri-X Pan film - thus the grain. The only light in this photo is the bulb from the overhead and I think I am lucky I got good exposure on the student's face and on the screen.But where are the pictures in his presentation?

Fairy Tale

This is not your every day walk in the park; it's Brian and Katie walking in the park. Overdressed? I don't think so.

Minneapolis Moline

Being a city kid, I hadn't paid much attention to tractors but I'm not surprised that, just as there is with makes of cars, there is tremendous brand loyalty to certain kinds of tractors.If you asked Carl Tesch, diesel instructor at Lake Area Technical Institute, which tractor was best, I'm sure he would say, "Minneapolis Moline." Evidence of this is that he's got a multitude of them on his farm north of Watertown.Last night we were invited to his place for a gathering of several past and present LATI instructors and he let my wife, Deb, drive one. I'm not sure that she had ever driven a tractor solo but she seems to look like she's done this before. Maybe in another life?Check back tomorrow for a post about our cuisine at the gathering: it's called "pitchfork fondue."

Captain & Crew

The captain is Scott, who is standing in the back of this photo. The driver and driver's supervisor are the famous BZ and CZ. We are cruising on Okoboji in Iowa and though BZ looks confident at the helm, I think it had been a while since he had driven a boat.

The Princess Bride, Part II

This is another example of serendipity in a photo shoot. In the days before my photo session with Brian and Katie, I had imagined some of the photos I would like to take. Unfortunately, few of those worked the way I had planned.But I did manage to take a photo or two that were totally impromptu. One has already appeared here. And now here's another. I was getting my camera ready for something and one of our many assistants held out Katie's veil to straiten it and this is what I saw. I said, "Hold it!" and Katie stuck a pose.I rarely use on-camera flash but this photo needed it, since strong sunlight was coming from behind the subject.

Portrait of the Artist With A Grey Beard

Once a year (when I'm traveling in Europe) I quit shaving for a week or two. And then I take a self portrait. Narcissism? I don't think so. Rembrandt did 90 self-portraits. And I'm certainly no Rembrandt.

The Girls of Rothenburg

This was a nearly candid photo but one girl spotted my camera and acted uncharacteristically -- she smiled at me! This is not normal dress for children in this town; it just happened that on the evening we were there, There was a dress rehearsal for a pending religious pageant. Rothenburg, by the way, is in Germany and is a wonderfully preserved walled medieval city.

Princess Bride

This is Katie, of course. This was one of my warm-up photos in the bridal shoot we did. There's nothing about this that says "bride" but I like the portrait anyway.The lighting here is very simple - she is sitting in the opening of the doorway leading to our deck, which, in the late afternoon, is in shadow but which is open to perfect, soft ambient skylight. One of my many assistants was holding a white reflector below the frame of this photo. (I don't actually have many assistants but Katie had a retinue, including a sister, a cousin and her mother.)The light was beautiful and so was Katie.