Lately, I have become very conscious of the role that texture plays in my photography and that what attracts my eye is often the textures in a scene, not the scene itself. And because textures are enhanced (or even caused) by light, photography is all about light. The word photography literally means "writing with light." Study this photo and if you can see the textures, you can see the light.Having said that, it's hard not to see all of the textures in this photo, which is of the south facade of the Minnesota State Capitol building in St. Paul. I liked the color version but when I turned it into black and white, the textures became more important than the color.For those who care, these columns are Corinthian in style, which is characterized by the elaborate design at the top, known in architecture as the capital.
04-14-12 Just Before Sunset
We don't have trees like this in South Dakota - at least in my part of the state. I think it is an oak tree and oak trees have a very distinct form of brachiation. The branches are twisted and, in my mind, gothic. I would have bare, twisted oak trees in front of my haunted house, if I owned one.This tree is about to leaf out and lives (happily or hauntedly?) on San Juan Island in Washington state.
04-13-12 Ready To Ride
It would have been hard NOT to see the bright, purple bicycles lined up at the hotel we stayed in while visiting Friday, Harbor, Washington. I photographed the bikes but didn't ride one.
04-12-12 Drift Wood
This was taken along the shore at San Juan Island National Historic Park, which is near the southeastern tip of San Juan Island. Of course driftwood was once adrift, and that means anyone navigating the waters along these shores, especially in small boats, must always be aware of the hazards of hitting floating logs before they become shore bound.Here's a Panoramio view of this location.
04-11-12 Easter Morning, 2012 - San Juan Island
This photo was taken a few miles west of the city of Friday Harbor, Washington, on San Juan Island. I had found this location the day before but thought that it would photograph better just after sunrise. The chances that I would have a mostly clear morning weren't that great. But, as you can see, nature performed well for me.I used Auto Exposure Bracketing to take three different exposures of the same scene but in the end I used the darkest of the three and a plug-in in Aperture to create this photo, which shows details in the darkest parts and in the brightest. That's what HDR (high dynamic range) does.
Seattle City Scape
Being in the right place at the right time makes a photographer's job easier. Sometimes I manage this by intent and sometimes by luck.In the case of this photo of Seattle, I got lucky. Apparently, it had been cloudy, cool and rainy for most of the week prior to our three-day stay in the area. But during our entire stay, it ranged from partly cloudy to crystal clear. I took this photo later in the afternoon, which resulted in nearly perfect light for the scene. And I couldn't have asked for more interested clouds.And, yes, this photo is manipulated in software. In my intent to work on the contrast in the photo, I found a setting in Nik Color Efex 4 that gave a look to this scene that I liked.