HDR

05-02-13 Early

2013 05-02 Early by Scott Shephard This is the fifth in a series of HDR Black Hills photos taken in April, 2013. This was actually the first place I stopped the first time I went out hunting. This is not the first time I've taken a photo with weathered grass dominating the foreground, a distant horizon and an intriguing sky. (Lonesome Lake) But when you've found something you like, why not wear it out? (I will say that in the year since I did the Lonesome Lake HDR photo, I've gotten better - or at least I've found a formula I like better. In fact, I can think of a lot of things I can do better now than when I was younger. Except sit-ups.)

(PS: If you look closely, you'll see Mt. Rushmore in this photo.)

Canon 5DIII 1/20s f/18.0 ISO100 16mm

There are still 6 spots left in the July "Black Hills Photo Adventure." How about joining me?

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04-30-13 Lake Lakota HDR

2013 04-30 Lakota Lake (HDR) by Scott Shephard This is the 4th in a series of recent posts that are photos I took to my recent visit to the Black Hills. It is also another surreal looking HDR photo. Generally, I am very conservative about filtering my photos but I guess I am captivating by the alternative reality that HDR brings to the world we see.

And now my mind is wandering to people from the 1960s and 1970s like LSD guru Timothy Leary ("Tune in, turn on drop out") and peyote promoting Carlos Castenada (A Separate Reality, The Teachings of Don Juan: A Yaqui Way of Knowledge, etc.). Mushrooms, peyote and LSD were considered "mind altering" drugs. I will admit that I never tried any of them.

Nik HDR Efex Pro 2 is my mind altering drug. It may even be performance enhancing. It has no side effects and its use is legal in all 50 states.

Canon 5DIII 1/10s f/18.0 ISO100 16mm

There are still 6 spots left in the July "Black Hills Photo Adventure." How about joining me?

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04-25-13 Whose Woods These Are . . .

2013 04-25 Who's Woods the Are. . . by Scott Shephard Here's another photo from the snowy walk I made with my friend Dennis N. This was taken a little bit before the one from yesterday. And what stopped me in my tracks were Dennis' tracks.

As with almost all of the photos I took on this outing, this is an HDR photo. I think that HDR is one way to preserve detail in snow, which would normally be fairly non-descript in its pure white form.

The title? It's the first line of Frost's famous poem "Stopping By the Woods on a Snowy Evening":

Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow.

My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake.

The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

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04-24-13 Ready To Fall (HDR)

2013 04-24 Ready To Fall by Scott Shephard When I saw these leaves a couple of days ago on a photo walk in the Norbeck Wildlife Preserves along Iron Creek in the Black Hills, I was intrigued that they had hung on for the whole winter. Most leaves drop in the fall, of course. But these high marks for persistence.

The other intriguing feature is that if you look closely, you can see that tiny buds are starting to form and I'm guessing that is a week or so the old leaves will drop and the new ones will debut. Sadly, I won't be there to witness it, since I live 8 hours away from this scene.

And now for shameless commerce: If you would like to join me this summer is the Black Hills for a Photo Adventures, check this out. But hurry, registration is very limited.

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04-23-13 After the Snow

2013 04-23 After the Snow 2 A late spring snow storm hit our part of the Black Hills and left 10" of beautiful snow. And so, a friend and I ventured back to Iron Creek to see what things looked liked. As much as I have photographed this spot, I have never photographed it with this much snow. For me, then, it was a rare opportunity.

Hiking along the creek for a half mile was made difficult by the relatively deep snow but ours were the first footsteps along the trail and there was something satisfying about that.

I took quite a few HDR photos but this is one that I'm keeping. Stylistically, it is similar to yesterday's post and I guess that's what I was after. Is is a good photo? I don't know - I have an emotional (and physical) investment in this one right now and so my judgement is clouded. But even if I hadn't gotten a single good photo yesterday, I would have said that my "photo walk" was worth it. As Harry Chapin said, "It's the goin' not the gettin' there that's good."

In the event that you might be interested in joining me this summer in the beautiful Black Hills for my Black Hills Photo Adventure, check it out here.

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04-22-13 Spring Melt (HDR)

2013 04-22 Spring Melt by Scott Shephard I am in the Black Hills to attend the annual TIE convention. But given a little time yesterday morning, I went out to my favorite spots to take even more photos of the same scenery. But this time there was good flow in Iron Creek and there was snow left from the most recent snow fall. And so I got a look unlike others I've taken along this creek. The other feature I liked about this scene were the bright orange tree leaves along the right side of the photo. I'm guessing in another week or two, those leaves will disappear and the new ones will bud out.

So this is a transient scene, in many ways. In fact a Greek atmonist philosopher named Heraclitus said that you "could never step in the same stream twice" because all of nature is in a constant state of flux: panta rei or "everything flows." Good photographers understand this and their best photos are captured at the right moment.

(I should say that this is an HDR photo and that's why there is a bit of a surreal look here.)

A few more photos here.

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02-18-13 Angels In the Architecture (HDR)

2013 02-18 Angels In the Architecture (HDR)In his song "You Can Call me Al" Paul Simon sings

He is a foreign manHe is surrounded by the soundThe soundCattle in the marketplaceScatterlings and orphanagesHe looks around, aroundHe sees angels in the architectureSpinning in infinityHe says Amen! and Hallelujah!

I've never understood the lyrics of this song, but I do like the line that refers to "angels in the architecture." And if you look closely at any building like the Minnesota state capitol building, there are angels everywhere. But in this photo, it seems that there actually is an angel. And I hadn't seen it until after I picked the title for the post.If you look at all three of my HDR capitol photos over the last few days, you will see an attempt at achieving perfect symmetry in my composition. Frankly, I'm a bit obsessive about it and I spend considerable time in framing the photo trying to get the lines perfect and if they aren't perfect, I fix them in the crop. Good or bad? I don't know. But in capitol building architecture there seems to be plenty of balance and symmetry and my photos strive to capture that.

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02-17-13 The Second Story

2013 02-17 Second StoryI had mentioned yesterday that I didn't get enough time in the Minnesota state capitol building the other day. I made up for that by going back late yesterday morning. I knew when I went that I was going to take several series of photos with my camera on a tripod so that I could later process them into high dynamic range photos (HDR).This photo was taken on the second floor looking west. One of the things I like about the way the camera interprets this space is the way it sees color. The columns and the stairs are lit by a skylight but the space behind the columns is lit by incandescent lighting. The space behind the columns is warm and the columns are a cooler gray due to this lighting.The other thing I like in this photo is the amount of texture that is present. I think that texture can be both something you feel (such as the tops of the Corinthian columns) and can be something you see (such as the variegated stone in the columns.) And there is plenty of both in this scene.I will be posting at least two more from my "Minnesota State Capitol" series. I hope you like HDR architecture.Canon 5DIII 1/5s f/6.3 ISO400 16mm

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02-16-13 Capitol Dome (HDR)

2013 02-15 Capitol Dome (DHR)Some of my photo/media students and I made a short stop at the Minnesota state capitol building recently. This is the kind of place I'd spend a few hour photographing, not 15 minutes. But we were on a tight schedule.But during my time I did capture a few photos of this beautiful structure, including this HDR photo of the dome from floor level.

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02-02-13 Morning Sky

2013 02-02 Morning Sky (HDR)This photo found me. I was heading west yesterday morning to run an errand on the way to work and I noticed nice, soft blue and scarlet hues in the western sky. Thinking that I might have a good sky to drop in to a photo that has I less interesting sky, I took this photo.I really wasn't thinking that the photo would stand on its own, but when I worked on it in Aperture 3.4, and with Nik HDR Efex 2, I decided I liked it.

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01-26-13 CNN Center, Atlanta (HDR)

2013 01-26 CNN Center, Atlanta (HDR)I used the HDR mode on my Canon 5DIII for a series of shots in the CNN Center because there was a sizable difference between the very bright part of this interior (above and to the left of the CNN sign) and the relatively dark part (underneath the canopies a little to my right.)I could have gone with a photo-realistic treatment of this scene when I processed the shots in Aperture/NIK HDR Efex Pro 2 but I picked one that gives this a bit of a cartoonish look. Do I like it? I'm not sure. What do you think? Be honest. . . .(The people at the table in front of me are photographers who are/were attending the ImagingUSA conference. I didn't get a model release because this is a public space and they had no expectation of privacy. I do believe I'm on the right side of the law.)

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01-13-12 Ghosts

2012 01-13 Another DayThis is a closer view of one of the two buildings pictured yesterday. This photo was taken right around sunrise and it occurs to me that this old building has lived to see a lot more sunrises than I have.I asked my first year photography students recently to tell me what they thought a photographer was and Bjorn, a person whom I think has great promise, suggested that a photographer is a person who engages in time travel - that photographers have the power to take those who view their photos to a particular place in time. It was an astounding and unexpected answer. And of course, Bjorn's answer has me thinking. . . .I realize, for example, that while my photos allow me to do my own kind of time travel in that they help me remember things that I have seen and experienced, they also have the power to do the same for the viewer. You may have never been to this particular place, but it may remind you of similar places.Photos like this may have another emotive power, too. It's not hard to see the ghosts of those who lived at this farmstead. I look at this scene and can see the farmer's wife stepping through the door to check for fresh eggs, I can see the children playing in the tall, prairie grass and I can see the farmer working the distant field with his simple tractor.To me, this way of life exists in my imagination as I am a "city boy." But to many South Dakotans, this life still exists. It is as real and predictable as the the South Dakota sunrise.Canon 1DII 1/6s f/9.0 ISO100 17mm

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