Portrait

Aunt Betty

Early this morning we learned that my dear aunt Betty, my mother's sister and the sole survivor of the generation that precedes me, passed away. She was 91 and died in her California home - exactly where she wanted to be.I took this photo in 2007 at one of Betty's favorite restaurants - Las Brisas in Laguna Beach, California. She is happy in this photo and that's exactly how my wife described her after a conversation she had with her this past Tuesday.Her passing is painful to Deb and me on many levels but it is, as I have said before, part of the circle of life. We have yet to plan her funeral, but when she is laid to rest, she will be next to her husband Cliff and within shouting distance of John Wayne. And I have to smile about that. . . .Two Sisters: Bernice (Mom) and Betty (Beverly)JohnJohn Wayne - Grave

Print Friendly and PDF

Photographers At Work

The photographer is present in the photograph, which shows other photographers from my Lighting for Photographers class on an outing in Watertown.

Print Friendly and PDF

Me, Myself and I

Self portrait by Scott ShephardSuch is the nature of the creative process that one often ends up with something very different from what was originally planned. Such is the case with today's rather self-indulgent photo.The task was to take a self-portrait. I was doing this because I had assigned the same task to my "Lighting for Photographers" students at LATI. My goal was to take something simple that would illustrate the idea. At first I tried using a crystal ball that has been in my family for at least a century. But that didn't work (I still want to try it!)I then stepped into my den to see what else I might be able to do and, low and behold, my closet mirrors had me staring back at myself. So I took a photo that showed three of me. And then I remembered that I had an app called WordFoto that I had just downloaded. And then I thought maybe I could do something with layers in Photoshop. . . .And then I ended up with this photo.I do believe there is some kind of symbolism in the fact that the part of the photo with "i" all over it shows less of "me." You tell me what that means!

Print Friendly and PDF

Mother and Child

Evelyn's mother Alicia assists in Evie's baptismI took several photos of Evelyn D's baptism, but I liked this one best because while the main elements of the scene are identifiable, the purest point of focus is mother Alicia's face, which is suffused with a look of love and concentration.Of course, Evie is not an afterthought in this image, nor is her oldest brother, Ethan, who, if you ask me, has one of the best seats in the house.Incidentally, I mean no sacrilege in this comparison, but it was hard for me not to see similarities in the expressions of Michelangelo's Mary and Alicia. Though the circumstances in Michelangelo's Pieta are vastly different from those at Evie's baptism, both mothers exude a sense of calm that is striking to me.Click here to see Michelangelo's Pieta, which is housed in St. Peter's Basilica in Rome.

Print Friendly and PDF

Evelyn

Evelyn DeGeest in her baptismal gownThis is Eveyln Marie, aged 3 months. Today was a special day for her because she was baptized. For my wife's family (the DeGeests) she is a special child because she is the first female born into the family in over a a half century. My wife was the last.The gown she is wearing was hand crafted by her grandmother, Paula, and was made from many heirloom pieces, including fabric from Paula's wedding dress. The gown is a work of art. And so is Evie.

Print Friendly and PDF

Altered States

Taken by Scott Shephard in the Sculpture Garden adjacent to the New Orleans Museum of Art

Print Friendly and PDF

Vicky

Portrait of Vicki Bull taken by Scott ShephardI am continuing with my theme of "portraits from the past," this time with a photo of Vicky, who graduated from Watertown High School about 8 years ago.

Print Friendly and PDF

02-01-12 Kristin

Watertown gymnast Kristin Dunn photographed by Watertown, SD, portrait photographer Scott ShephardHere's another photo from my photographic past, this time of Kristin, one of the many fine gymnasts who represented Watertown Senior High School's gymnastic program. Not only was she a great gymnast but she was a wonderful portrait subject.This photo was taken at her parents' dance and gymnastics center, Dakota Gold. As I recall, I hadn't graduated to strobe lights and so I was using my "hot" lights. The advantage of continuous lighting is that the light you see is the light you get. The disadvantage is that it doesn't produce a lot of light. Thus, I was forced to use a fairly wide aperture. Truth be told, this photo suffers from camera shake, but ten years ago I wasn't smart of enough to see that. Today, this is a photo that probably wouldn't have seen the light of day.But I like the photo and so to try to make it look good, I used selective sharpening on Kristin's eyes. And then I blurred everything in Aperture, which is a great tool to help make art out of something that is less than perfect. Kristin, of course, is the most perfect part of this photo. :-)

Print Friendly and PDF

Joelle

This senior portrait of Watertown High School South Dakota senior Joelle was taken in 2003 by photographer Scott ShephardIn my search for photos from my early days of digital portraiture, I came across this photo of Joelle that I took almost 9 years ago. I had a great subject but the the photo also represents the power of Aperture by Apple as an editing tool in that in a minute or two I was able to retouch and then enhance the photo. All of this was done in preparation for my Advanced Digital Photography class at Lake Area Technical Institute.One of the nice things about teaching photography is that I learn at every step along the way and today was no exception.

Print Friendly and PDF

Lost!!!

AP European History students at Watertown High School photographed by Watertown, SD, photographer Scott Shephard. Scott was also a history teacher at WHS for over 30 years.This photo was a "shoebox" experience about 30 minutes ago. In a quest to find photos I have been ignoring, I started at the chronological beginning of a library of digital photos that has close to 50,000 pictures. About 300 pictures into my search, I found this. I don't remember taking the photo, but I do remember the class with great fondness.The light source was a single 150 watt bulb and the camera was my Canon 1D, which represented the state of the art in DSLR photography in 2002. The camera cost $5500 and do I dare say that it was worth every penny? It had a whopping 4.4 megapixel sensor!The "shoebox experience" is what many of us have encountered when we are searching for something in our closet and we come across a box of forgotten photos. I am sad to say that decades from now, no one will have a clue about all of the digital media that we put into boxes. If the 8-track tape and the floppy disk are evidence of the ephemeral nature of electronic media, imagine what will happened to hard drives and compact flash cards we are using today.If you want to enjoy your favorite digital photos years from now, you need to get them printed. And then put them in a shoebox.

Print Friendly and PDF

Humane Society?

Compositionally, this isn't a very good photo. But journalistically it gets by because it does tell a story, even if you didn't know that is was taken along the Las Ramblas in Barcelona, Spain. It is a photo of a mendicant (more rudely, a beggar) and his best friends.I suspect that some may ask if he would have to beg if he weren't trying to feed 4 pets. I would ask instead, "What do you value and how much is it worth to you?"

Print Friendly and PDF

11-19-11 Melissa

Melissa looks a little sad here but she was one of the more ebullient subjects I had the pleasure to photograph. She was a dancer and actively involved in theater and made posing very simple. And she had many great looks.Here, we are in an abandoned building in Gary, SD, in 2002. I had found a broken window that faced north and told her to pose by the edge. I got beautiful wrap-around Rembrandt lighting.Incidentally, one rule of thumb in portraiture is that you should avoid having the subject show the back of his/her hand to the camera and I break that rule here. Frankly, I didn't know the rule 10 years ago. I did use the "Burn" tool in Photoshop to make the hand a darker shade than the face. Why is there a rule about this? Well, partly because the back of the hand is fairly nondescript and also because any other bright object in a portrait competes with the face. And generally, portrait photographers don't want that.

Print Friendly and PDF